A Writer’s Exploration: Finding My Nonfiction Voice

I tried something new recently. It was risky – well, not really risky, let’s say daring – I applied my fiction voice to my nonfiction work.

Over the years, as I have developed my business writing prowess, I always felt there were certain molds I needed to fit in to and expectations to meet. Often times I found myself writing in a stilted, unnatural voice, like I was listening to myself on the other side of a two-story brick and mortar wall. It never sat right with me. It felt like a chore. I would spend countless collective hours revising and refining, restructuring and reworking – as I am sure any writer has had the good fortune of dealing with – to sound reasonably good. And the good was good, sometimes a little better than good, sometimes it was dry, business-like, professional, regimented, bland and craving a makeover of charisma and soul. Sometimes I hated the venomous amorphous beast that slowly gnawed at my psyche little bits at a time. It made me crazy; my mental wellness was not quite at stake, but crazy nonetheless. But I did what needed to be done, I stuck to my due diligence.

Now don’t get me wrong, I wrote well, when I was into it. And if not well, well enough for the sake of well enough. I wrote news articles and business information for the corporate intranet, website content, ad copy, various employee communications, a few press releases, a speech or two … whatever a Corporate Communicator would write on a regular basis. It did the job, it communicated clearly and efficiently, and I fulfilled my obligation. Nevertheless, it felt distant to me – like another shallow faceless automaton wrote it. I was starved to fight my way out of this monotony.

Since last August, I have been writing a short fiction piece for my MFA writing workshop course. You could say it is a psychological thriller among other things. During the process, I found myself seeing the story and interpreting it into the written language in a novel way. My writing voice, to my surprise, had evolved to a new level. Though it is hard to pinpoint the catalyst, I fell in love with the writing process all over again (I had to throw in one more cliché, really).

Then it hit me in a subconscious sense – because I did not actually speak or think these words – why not use this evolving fiction style, this new voice, in my nonfiction? I tried it out on a few small pieces. I found myself perceiving what I was writing in a new light with a different thought process. I introduced elements of this evolving voice to a recent book review … and it blew my mind. Reading the work back to myself aloud, I could not believe the barrier I had leapt over. The style was so fluid, so easy to follow, so full of humanity and personality. It was, and still is, an incredible feeling. My true nonfiction voice has emerged from the dark depths of white offices with beige carpets!

A Writer's Exploration: On Persuasion

This is the first of a new series of blog posts on my exploration and contemplation of the craft of writing. My focus is generally on the business side, though my short fiction self will undoubtedly make its presence known. Please excuse the bland title, I wanted to avoid clichés and lameness, so naturally, my mind has gone blank. So be it. 

So, I just finished reading the book Media Control: The Spectacular Achievements of Propaganda by Noam Chomsky, a book on the use of propaganda as a device to lead a nation into war, and it got me thinking about the topic of persuasion. Persuasion is a necessary requirement of the PR/Corporate Communication field I work in, and a challenging topic at that.

It brings up a question of ethics and morals I am sure many have heard countless times about PR thanks to the bad rep of propaganda – lying. I don’t like to lie about anything, I pride myself in being honest (blatantly honest) – to the point that I sometimes need to shut my mouth. Until now, I never studied this subject in school; rather, I obsessively learn from reading and watching the news and following current events. I have become a pro at spotting the liars on the pundit shows, not only those who avoid answering the question so they aren’t technically lying. It amazes me – why is honesty in the political world so rare?

The key to strong Corporate Communication writing, among simplicity, clarity, and conciseness, is the ability to win over the audience. Winning does not imply that the writer should fabricate information, or manipulate its meaning, though I have learned from past experience some people will try it. I find in my work that honesty and enthusiasm are successful, as well as humor when it applies, writing in my own voice, and avoiding jargon and other elitist mannerisms. If I begin to write in business speak I might as well fire myself.

I am about to read Propaganda by Edward Bernays, the father of PR and the propaganda machine. This topic is fascinating; I see it touching on the 2012 presidential campaign among many other recent and current events. I will revisit propaganda in the coming weeks on this blog as my exploration continues.